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Cozzolani - O quam bonus es

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Cozzolani - Vespro della Beata Vergine Cover Art
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    Recognized during her lifetime as one of the finest composers in Italy, Chiara Margarita Cozzolani spent her entire adult life within the four walls of the musically famous convent of Santa Radegonda in Milan. Contemporary accounts describe the huge crowds that filled the exterior church of the convent to hear the angelic voices of nuns singing Cozzolani's passionate and ecstatic music. On this disc Magnificat has arranged four of Cozzolani's psalm settings, one of her settings of the Magnificat, and six of her motets in the context of Second Vespers for the Feast of Annunciation.

    Twelve tracks on this recording are also available on Magnificat's recordings of the complete works of Cozzolani on the CDs Volume I: "Salmi a Otto Voci (1650)" and Volume II: "Concerti Sacri (1642)", available at music.cozzolani.com .

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about
Catherine Webster & Jennifer Ellis, soprano; David Tayler, theorbo; Hanneke van Proosdij, organ.
lyrics
Text & Translation

O quam bonus es, O quam suavis, O quam jocundus, mi Jesu;

O quam benigna es, O quam dulcis, quam deliciosa, O Maria, diligenti, suspiranti, possidenti, degustanti te.

O me felicem, O me beatum. Hinc pascor a vulnere, hinc lactor ab ubere, quo me vertam nescio. In vulnere vita, in ubere salus, in vulnere quies, in ubere pax, in vulnere nectar, in ubere favum, in vulnere jubilus, in ubere gaudium, in vulnere Jesus, in ubere, Virgo.

O me felicem, O me beatum, quo me vertam nescio.

Sanguis emundat, lac me purificat, sanguis me recreat, lac refocillat, sanguis inebriat, lac me lætificat. O vulnera, O ubera, O sanguis, O lac, aurea vulnera, ubera dulcia.

Sanguis amabilis, nectare dulcior, manna jucundior.
Lac exoptabile, melle suavior, favo nobilus. Te amo, te diligo, te cupio, te volo, te sitio, te quæro, te bibo, te gusto.

O me felicem, O me beatum. Te amo, te diligo, te cupio, te volo, te sitio, te quæro, te bibo, te gusto.

O me felicem, O me beatum, quo me vertam nescio. Hoc sanguine pascar, hoc lacte reficiar, in vulnere vivam, in ubere moriar.

O potus, O risus, O gaudium, O felix vita, beata mors.

O how good you are, o how soft, o how joyful, my Jesus.

O how kind you are, o how sweet, o how delightful, o Mary.

O how good, how kind, how soft, how sweet,
how joyful you are Jesus, how delightful you are Mary,
to the one who seeks and sighs for, possesses and tastes you..

O happy, blessed me. Now I graze from his wound; now I nurse at her breast; I do not know where to turn next. In his wound is life; in her breast, salvation; in his wound, quiet; in her breast, peace; in his wound, nectar; in her breast, honey; in his wound, rejoicing; in her breast, joy; in the wound of Jesus; in the breast, O Virgin.

O happy, blessed me; I do not know where to turn next.

His blood saves me; her milk purifies me; his blood revives me, her milk restores me; his blood inebriates me; her milk makes me joyous. O wounds, O breasts, O milk, golden wounds, sweet breasts.

O lovable blood, sweeter than nectar, happier than manna.

Desirable milk, sweeter than honey, more refined than the honeycomb. I love you, I desire you, I want you, I thirst for you, I seek you, I drink you, I enjoy you.

O happy, blessed me. I love you, I desire you, I want you, I thirst for you, I seek you, I drink you, I enjoy you.

O happy, blessed me, I do not know where to turn next. May I feed on this blood, may I be refreshed by this milk, may I live in His wound, may I die in her breast. O drink, O food, O laughter, O joy; O happy life, blessed death.
credits
from Cozzolani - Vespro della Beata Vergine, released 01 December 2001
Released on Musica Omnia MO0103. Peter Watchorn, producer; Joel Gordon, engineer & mastering.
tags
tags: baroque early music religious vocal San Francisco
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For 20 years Magnificat has explored the emotionally charged music of the 17th Century, each season bringing together an ... more assembly of internationally recognized musicians to present innovative programs that inspire the imagination. With dramatic flair and sensitivity to historical context, Magnificat imbues each concert with an infectious joy and a delight in musical make-believe. less

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